The Phantom of the Opera

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Info

Bio-Data

Class: Assassin
True Name: The Phantom of the Opera
Sex: Male
Source: ’The Phantom of the Opera’
Region: Europe
Alignment: Chaotic Evil
Height: 185cm
Weight: 80kg

Meta

Character Creator: Sakurai Hikaru
Character Designer: Shimaudon
Character Voice: Okiayu Ryoutarou
Major Appearances in Main Works: Fate/Grand Order

Stats

Parameters	Values
Strength	B
Constitution	C
Agility	A
Magical Power	D
Luck	D
Noble Phantasm	B

Class Skills

Presence Concealment: [A]

A Skill that suppresses one’s presence as a Servant, suitable for espionage activities. It is nearly impossible to be detected if one suppresses their presence completely, but the rank of Presence Concealment drops greatly when preparing to attack.

Personal Skills

Mental Pollution: [A]

Due to possessing a distorted mentality, it is possible for one to shut out any Mental Interference Magecraft. One is not able to come to a mutual understanding with individuals who do not possess a Mental Pollution of an equivalent rank.

Beautiful Voice of Captivation: [B]

A natural constitution of having a beautiful voice. It works as a magical Charm Effect towards females, but evasion is possible with the Magical Resistance Skill. Even if one does not have Magical Resistance, they can abate it to some extent so long as they maintain a will to resist.

Using this beautiful voice, the Phantom conversates while singing like he was right there on the stage of the opera house.

Innocent Monster: [D]

A monster that had the way his past ought to be distorted according to the image cultivated in future years. The Phantom’s abilities and appearance have been completely transformed.

The Phantom, who is the model for the novel character of “The Phantom of the Opera”, has received the influence of that work where his real face has changed into something grotesque, while also, both of his arms have already further transformed into something that belong to those of a grotesque monster’s. If he completely removes his black[1] gloves, claws that are even sharper and more dangerous than large knives are stretched out, and both grotesque hands become exposed out in the open.

Noble Phantasm(s)

Christine, Christine: Surely My Love Song Shall Resound Even in Hell Itself

Rank: B+*
Classification: Anti-Army Noble Phantasm
Range: 1~50
Maximum Number of Targets: 200 people

An ominous and gigantic musical instrument that is much like a pipe-organ, constructed by combining some of the corpses of the Phantom’s former victims. Maybe the sinful deeds that Ryuunosuke Uryuu attempted through trial and error had already been completed in the 19th Century————or maybe, this is the image of the cruel and mysterious person at the time of his materialization, sublimated as a Noble Phantasm.

By matching it with the Phantom’s singing voice that is owned by his grotesque vocal organs, this Noble Phantasm scatters invisible magic damage to the surroundings. For the Phantom himself, who is the performer, he does not take any damage from the attack. Because it is an attack done not through sound, but purely through a radiation of Magical Energy, it is possible to block it with defensive magic and abilities. Equipped armour and the like also works effectively.

The Noble Phantasm is B-rank in the game profile

Character

Pronouns

First Person Pronoun: watashi
Second Person Pronouns: kimi / omae
Third Person Pronouns: kare / kanojo / ○○-shi

Personality

Fundamentally, the Phantom is gentlemanly. However, he is not a true gentleman; rather, he is doing no more than consistently playing the part of “himself as a gentleman”. An enormous sorrow and anger are being hidden beneath his mask, and he is deeply conscious that once they start to overflow, a tragedy will be brought forth.

The Phantom constantly works to restrain himself and kill those impulses. While holding conversations, he openly sings to show that his suppression of those impulses is being effective. But if he stops singing, evidence of his real nature as the “Phantom of the Opera” – a figure who will become a slaughterer if it is for the sake of his purpose, and someone who is cruel and insane enough to deal with the obstacles in his path by eliminating them – will begin to appear.

The Phantom likes girls with a beautiful voice. At such a girl where his eyes are affixed to her, he will also appeal that “She will mature into a diva if she is under my guidance.”

Attitude Towards Master

As for his Master, the Phantom somehow becomes emotionally attached to them while saying “What a magnificently beautiful voice.” He is mixing them up with the diva from his past. Although he acquired an insanity because of his Mental Pollution, he is very obedient as a Servant. However, because his utterances are conversations that are constantly similar to him singing, what he is trying to say is substantially not transmitted very well.

The wish the Phantom wants to make on the Holy Grail is “for the diva that he guided to receive the honour of being the best in the world.” If possible, he wants to bring up his Master as a diva (regardless of their gender). Therefore, he will probably care for his Master more than anything else.

Dialogue Examples

“I will sing to you as you doze off… with beauty enshrouding you.”

“Sing with me… one more time.”

“It turns out that those who witness my face… will certainly come to know fear… Even you… You too… And you as well!”

“My soul and voice… are here… bundled up into one.”

“…… Sing. Sing. My angel. Sing loudly, to the extent that it can reach even me, who had fallen!”

Historical Character and Figure

A masked killer. A man who conceals his accursed and grotesque face with a mask modelled after a skull. The mysterious person who appeared in “The Phantom of the Opera”, a novel set in the 19th Century――――or perhaps, the person who became the model of the novel character. Settling down in an aqueduct that is like a vast underground labyrinth beneath the opera house (Palais Garnier), the Phantom of the Opera was charmed by a pure, chaste and young actress, even guiding her into becoming a diva, and he conducted serial murders on behalf of his unfulfilled love.

Gilles de Rais

Their strangeness and conversations mesh well with each other.

Comment from the Illustrator

Although the Phantom already turned into a joke character because of an event from the FGO Story, his design was initially drawn up with an elegant image. However, after Mr. Takeuchi said “He should be even more like a mysterious person”, he settled down into this current design. Also, when I was looking up various mediums of “The Phantom of the Opera” to get that touch in drawing his pictures, I found out that the “Phantom of the Opera” in the olden days was conscious of himself, given that there was a side to this mysterious person who was conscious of his entire face, so it is different when the visuals show him concealing only the right side of his face with a mask; personally, I resolutely created “a mysterious person who is possessing a young man”, and I did an illustration to represent that in his Final Ascension. In this game, because he holds a Noble Phantasm that is overall valuable as an Assassin, I am grateful that he greatly plays an active role in the Ember Gatherings. (Shimaudon)